Once microphones are involved, though, things can start to get confusing, particular if you don't have a cupboard full of them at your disposal. Now let’s add a second mic. For more delicate hats and cymbals, turn to small diaphragm condenser microphones placed four to six inches away. If you don’t need a hefty kick, this setup will help your kit feel richer and wider in your mix. Place the other mic, again a cardioid condenser (he uses a Neumann M49), above the drummer pointing down and fairly centrally placed over toms and snare. the pro’s use of multiple mics for each drum. Weekly digest of new Flypaper articles. Occasional course announcements and special offers Occasional course announcements and special offers. The best two mic setup is one over the drums to get the high frequencies and one on the floor in front of the kick drum to get the lows. The Best Mics for Recording Bass Guitar and Kick Drums Up next… 3. Preview both courses for free today. Snare punch and image from the overhead, thump from the kick — boom! But if you have a grand you really should be able to afford more than one mic, so…. Visit our corporate site. AKG D112. The 4 Microphone Recording Set-Up *Mic Placement for Snare Drum. + This article originally appeared in our email magazine, Soundfly Weekly, a review of the best in music learning and inspiration, all focused on helping you learn one new thing every Tuesday morning. And extending from that, if you have another amplified instrument like a bass guitar, organ or other keyboard, you can use similar dynamic mic techniques to those detailed for the electric guitar: a dynamic mic close in to the amp, with a condenser further out to capture detailed nuance. Thank you for signing up to Musicradar. Three Mics. This would be necessary if you only have a two-channel audio interface. The further away from source you place this mic, the more room ambience you get. Happy tracking. During a live gig or when recording a song in the studio, a mic will help you capture the drum… Receive mail from us on behalf of our trusted partners or sponsors? 6 of the best mics EVER, for recording bass guitar and kick drums. Yadda yadda… you get the idea. First off, a mic you may already be familiar with… 1. Bath I usually just blast it with compression for the Albini thing, but it should do the trick for how you want to use it, … This saves a ton of time and brain power. Again try in front of the upright piano to experiment and blend key noise. OK, it won’t sound as amazing as mic’ing up an entire drum kit, piece by piece, but if you have limited equipment, place your single microphone – a cardioid condenser, if possible, so it’s focussed down on the drums – as a single overhead above the drummer. Four Mics. Bob Clearmountain has worked with The Rolling Stones and Bruce Springsteen and his two-mic method involves placing a good high-output dynamic mic (he favours a Shure Beta 52) either centrally in front of the bass drum, or if it has a hole, just inside. You won’t have the complexity of a modern kit recording, but you can easily achieve an old-school vibe that may work just as well for your sound. Experiment by moving the mic farther away from and then closer to the kit. Drum kits can swallow your mic collection if you choose to record every piece, as can a grand piano if you want every nuance recorded. There are almost as many snare mic preferences as there are engineers and snare drums. Go check it out!). In some cases, subbing the mono overhead for a mono room will get you where you want to be. Start the same rough distance from the snare, but with the mic facing the space just above the kick. (Computer Music) 29 September 2020. You might be asking yourself whether having a mic on every shell and several mics placed around the room is really necessary. For the larger, boomy drums - kick, snare and large tom - try dynamics with cardioid (focussed) patterns, placed two to six inches away. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks. This the 3 mic Set-Up with a Snare mic added. This placement offers a different kind of natural representation of the kit, this time favoring the kick over the snare. How to Make a DIY Vocal Booth in Your Home, How to Develop a Positive Working Relationship with an Engineer, Basic Vocal Processing in Hip-Hop Production, Student Spotlight: Kiri Sparks on Overcoming Self-Doubt with Aplomb, Learn Pretty Much Everything About Synths with Soundfly’s New Online Course, Uncancel the Holidays! 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In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Create a more musical internet with us, one email at a time. The punch of the snare is accented and separated from the overall sound of the other drums. The Audix D6 drum mic is another choice for one of the best kick drum mics out there. Here, then are some tried and tested ways to record drums, piano and other instruments, no matter how many mics you have in your locker. Or perhaps you’re just starting out, and don’t have the equipment for a complex setup. All rights reserved. You will receive a verification email shortly. Or you could get radical and place the mic under the drum throne, perhaps slightly towards the floor tom. Please refresh the page and try again. For violin, try a condenser over and above the player, aimed between body and neck; for a cello, two condensers placed much further away (try 10 feet) or a single mic close to the bridge. The Shure SM57 is undoubtedly the best value for any microphone available, and it’s certainly one of the best-selling mics in the world. Make sure you understand phase cancellation before adding a second mic into your setup. Receive news and offers from our other brands? Although it requires more effort than doing everything in the box, recording 'real' instruments into your DAW can be extremely rewarding, giving your productions a more organic, human touch. These minimalist techniques should get you started, but always be sure to listen closely and go with what your ear tells you. But if you have a spare mic, then why not record some room ambience for a live and natural feel to blend in with the source recording? If this captures too much ‘note noise’, move the microphone up and over, aiming it at the strings inside the piano.
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