Note that on this last example for C7∑9∑13, when the scale goes over an octave, the major 7th (the note B) is added as usual in the dominant bebop scale. The following examples spell out bebop scales starting on the 9 for different chord types.The circ-led note indicates where the initial bebop scale begins. The "Jazz Melodic Minor" Scale. You can play one scale over both the II- and the V7 chords. This scale works well over half-diminished 7th chords in minor music. The minor pentatonic uses the 1st, minor 3rd, 4th, 5th and minor 7th notes of a major scale or 1st, 3rd, 4th, 5th and 7th of the natural minor scale. Whatever we call it doesn’t really matter. This scale is actually a mode of the dominant bebop scale and has all the same notes. Major/Minor 6th Chords: Closed Position & Drop 2. Then, practice improvising using the Minor Bebop Scale over the iim7 chord, followed by the Dominant Bebop Scale over the V7 chord. Master the bebop scale and its applications and you’ll have a technique that you can apply to Dominant, minor, half-diminished, and sus chords. This brought them in phase with the new rhythmic pulse (but see note). Shown below are the Bebop major, Bebop dominant and Bebop minor scales. You can essentially look at it as having the same notes of a major scale with a lowered 3rd tone. The Major & Minor Bebob Scales. The minor bebop scale works best descending, though with practice you can apply it to your lines both ascending and descending through the scale. (Please refer to video to see the example). Using the bebop scale over ii-V’s. The bebop minor scale is the relative of the bebop major scale, which has a #5 added to it. David Baker named these scales the “bebop scales” because they were used so often by jazz artists form the Bebop Era. Scale notation generated by … The bracelet shows tones that are in this scale, starting from the top (12 o'clock), going clockwise in ascending semitones. Bebop style is all about the use of half steps; those chromatic notes add to the swing to the improvisation especially when playing 16th notes. The melodic minor scale not only raises the 7th degree but also the 6th degree of the natural minor scale. Such scales, for bebop players, facilitated the long flowing quaver lines favored by bebop musicians from the 1940’s on. The dominant seventh bebop scale is also useful over diatonically paired minor chords when you’re playing II-V-I’s. To add that resource to this scale the "Jazz Melodic Minor Scale" uses the also the Major 3rd, when descending. There is a second form of the minor bebop scale, which features a chromatic note (F#) between the b3 and 4. C D Eb F G A B C Watch Part 2 Of This Lesson: How To Form Minor Pentatonic Scales On Piano. These voicings mainly derive from the major6 or minor6 Bepop scale are a major scale or a melodic minor scale with added chromatic note between the 5th and the 6th note. Apply both of these scales used in jazz to your improvising. In other words, just treat the II- chord like a V7 chord in the same key, which works since both modes come from the same parent scale and therefore comprise the same pitches. They are resp. And as we’ll show you below…even ii-V’s. The next way you can use the bebop scale is over the ii-V-I progression. To overcome this problem Bebop scales were formed by adding one extra note to three modes of the major scale. ... Canadian Composer of works for Piano, and total music theory nerd. Scale 1725: "Minor Bebop" Bracelet Diagram. Bebop Scales Explained – Bebop Melodic Minor Scale. Bebop Scales The Bebop scales are frequently used in jazz improvisation and are derived from the modes of the major scale, the melodic minor scale and the harmonic minor scale.

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